Doncaster, United Kingdom

Creative Media Production (Sound Media)

Language: English Studies in English
University website: www.don.ac.uk
Higher National Diploma (HND)
Creative
Creative may refer to:
Media
Media may refer to:
Production
Production may be:
Sound
In physics, sound is a vibration that typically propagates as an audible wave of pressure, through a transmission medium such as a gas, liquid or solid.
Production
Capitalism [is] a system of wage-labour and commodity production for sale, exchange, and profit, rather than for the immediate need of the producers.
Gordon Marshall ed. The Oxford Dictionary of Sociology, 2nd edition. Lemma "Capitalism".
Production
The productive apparatus and the goods and services which it produces “sell” or impose the social system as a whole. The means of mass transportation and communication, the commodities of lodging, food, and clothing, the irresistible output of the industry and information industry carry with them prescribed attitudes and habits, certain intellectual and emotional reactions which bind the consumers more or less pleasantly to the producers and, through the latter, to the whole. The products indoctrinate and manipulate; they promote a false consciousness which is immune against its falsehood. And as these beneficial products become available to more individuals in more social classes, the indoctrination they carry ceases to be publicity; it becomes a way of life. It is a good way of life—much better than before—and as a good way of life, it militates against qualitative change. Thus emerges a pattern of one-dimensional thought and behavior in which ideas, aspirations, and objectives that, by their content, transcend the established universe of discourse and action are either repelled or reduced to terms of this universe. They are redefined by the rationality of the given system and of its quantitative extension.
Herbert Marcuse, One Dimensional Man (1964), pp. 11–12.
Sound
Carpenters' and ironworkers' shops are dominated by the heavier sounds of machinery and occasional yells across the floor; in goldsmiths' shops the silences are punctuated by more delicate work noises, but the apprentices' sullen silence and the artisans' grim absorption in the work at hand are, if anything, more oppressive, although there may be a little amiable banter between a master goldsmith and an older apprentice clearly already in possession of advanced technical skills.
Michael Herzfeld (2004). The Body Impolitic: Artisans and Artifice in the Global Hierarchy of Value. University of Chicago Press. p. 81. ISBN 978-0-226-32914-7. 
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