Bootle, United Kingdom

Digital Imaging and Photography

Language: English Studies in English
Subject area: arts
University website: www.hughbaird.ac.uk
Foundation of Arts (FdA)
Digital
Digital usually refers to something using digits, particularly binary digits.
Imaging
Imaging is the representation or reproduction of an object's form; especially a visual representation (i.e., the formation of an image).
Photography
Photography is the science, art, application and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film.
Photography
A photograph is a biography of a moment.
Art Shay as cited in interview: Dean Reynalds (2014 February 13) Photographs tell story of decades-long romance. CBS News.
Photography
Black and white are the colors of photography. To me, they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism.
Robert Frank, in: Nathan Lyons, Photographers on photography: a critical anthology, (1966), p. 66
Photography
The image (shadow) being inverted depends on there being an aperture at the cross-over and the image (shadow) being distant. The explanation lies in the aperture.
The image (shadow): The light reaches the person shining like an arrow. The lowest [light] that reaches the person is the highest [in the image] and the highest [light] that reaches the person is the lowest [in the image]. The feet conceal the lowest light and therefore become the image (shadow) at the top. The head conceals the highest light and therefore becomes the image (shadow) at the bottom.
Mozi Book 10: Exposition of Canon II; this is the earliest known description of the inverted image produced by a camera obscura,; as translated in by Ian Jonston in The Mozi (2010), p. 489
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