Eastbourne, United Kingdom

Music Production and Creative Recording

Language: English Studies in English
Subject area: arts
University website: www.sussexdowns.ac.uk
Foundation of Arts (FdA)
 
Creative
Creative may refer to:
Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). See glossary of musical terminology.
Production
Production may be:
Music
One whom the music of his own vain tongue
Doth ravish like enchanting harmony.
William Shakespeare, Love's Labour's Lost (c. 1595-6), Act I, scene 1, line 167.
Recording
We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available.
Milton Babbitt; quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
Recording
I hope my recordings of my own works won't inhibit other people's performances. The brutal fact is that one doesn't always get the exact tempo one wants, although one improves with experience.
Aaron Copland; quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
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